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Driver app announcement with Uber CEO | April 10, 2018 | Uber
 
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We’re excited to launch the new Driver app, which was built with driver-partners, for driver-partners. Watch and hear from Uber's CEO, Dara Khosrowshahi, to learn how the new app compares to the old one, and learn how we’ve connected with our partners to listen and learn from them along the way. Uber is committed to prioritizing the driver-partner experience. To support our partners, we’ve introduced features like paid wait time, 24x7 support, and in-app tipping. But it doesn’t stop there. Drive with Uber Watch this video to learn about some of our driver-partners and why they drive with Uber. Uber’s international community of driver-partners includes people from all walks of life, with varying schedules and priorities. Every Uber partner chooses when to drive. Watch videos about the new driver app: https://bit.ly/2uMrHT2 How to download the driver app: https://help.uber.com/h/ba14dbf4-0e34-452b-ab0c-22f7d65b8d61 Learn about other Uber driver-partners: https://www.uber.com/driver-stories Stay connected with Uber: Uber YouTube: http://bit.ly/29A9tuO Like Uber: http://bit.ly/2jwSiNb Get updates from Uber: http://bit.ly/1QGYQDp View images from Uber: http://bit.ly/29zUm2E SUBSCRIBE: https://www.youtube.com/user/UBERWorldwide?sub_confirmation=1 About Uber: Good things happen when people can move, whether across town or towards their dreams. Tap a button and get to where you want to be. Connect with Uber: Ride with Uber: https://www.uber.com/ Like Uber on FACEBOOK: https://www.facebook.com/uber Follow Uber on TWITTER: https://twitter.com/Uber Follow Uber on INSTAGRAM: https://www.instagram.com/uber Driver app announcement with Uber CEO | April 10, 2018 | Uber https://www.youtube.com/user/UBERWorldwide?sub_confirmation=55
Views: 72009 Uber
Angolan Civil War Documentary Film
 
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The Angolan Civil War was a major civil conflict in the Southern African state of Angola, beginning in 1975 and continuing, with some interludes, until 2002. The war began immediately after Angola became independent from Portugal in November 1975. Prior to this, a decolonization conflict had taken place in 1974--75, following the Angolan War of Independence. The Civil War was primarily a struggle for power between two former liberation movements, the People's Movement for the Liberation of Angola (MPLA) and the National Union for the Total Independence of Angola (UNITA). At the same time, it served as a surrogate battleground for the Cold War, due to heavy intervention by major opposing powers such as the Soviet Union and the United States. Each organisation had different roots in the Angolan social fabric and mutually incompatible leaderships, despite their sharing the aim of ending colonial occupation. Although both the MPLA and UNITA had socialist leanings, for the purpose of mobilizing international support they posed as "Marxist-Leninist" and "anti-communist", respectively. A third movement, the National Front for the Liberation of Angola (FNLA), having fought the MPLA alongside UNITA during the war for independence and the decolonization conflict, played almost no role in the Civil War. Additionally, the Front for the Liberation of the Enclave of Cabinda (FLEC), an association of separatist militant groups, fought for the independence of the province of Cabinda from Angola. The 27-year war can be divided roughly into three periods of major fighting -- between 1975 and 1991, 1992 and 1994, and 1998 and 2002 -- broken up by fragile periods of peace. By the time the MPLA finally achieved victory in 2002, an estimated 500,000 people had been killed and over one million internally displaced. The war devastated Angola's infrastructure, and dealt severe damage to the nation's public administration, economic enterprises, and religious institutions. The Angolan Civil War reached such dimensions due to the combination of Angola's violent internal dynamics and massive foreign intervention. Both the Soviet Union and the United States considered the conflict critical to the global balance of power and to the outcome of the Cold War, and they and their allies put significant effort into making it a proxy war between their two power blocs. The Angolan Civil War ultimately became one of the bloodiest, longest, and most prominent armed conflicts of the Cold War. Moreover, the Angolan conflict became entangled with the Second Congo War in the neighboring Democratic Republic of the Congo, as well as with the Namibian War of Independence. http://en.wikipedia.org/wiki/Angolan_civil_war
Views: 356867 The Film Archives
A Day In the Sky,.. - ( news  full video )
 
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Views: 365801 MYVIDEO7725
Suspense: Wet Saturday - August Heat
 
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One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors. The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 39929 Remember This
The Great Gildersleeve: Gildy Traces Geneology / Doomsday Picnic / Annual Estate Report Due
 
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The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 87018 Remember This

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